Chamber Music
Today's guest blog is written by Dileep Gangolli, Clarinetist with the Chicago Sinfonietta
While playing with my wife’s new computer, I stumbled on a desktop prompt for Pandora Radio which connected me to a world of streaming Classical music organized in a highly logical mathematical manner.
I was immediately taken by the way the music is presented and delivered (at no cost to the listener). I am anxious to get the thoughts of others on this method of classical music distribution.
After signing up for Pandora Radio, listeners are invited to create their “own radio stations” that feature their favorite composers. I have stations that feature Mozart, Bach, Schubert, Mahler, and Coldplay among others.
But what is so interesting is that the musical selections are not just of the selected composers but of those that compose in a similar manner either by being of the same time period or by being similar in aesthetic. So Mozart could precede a neo-classical work by Stravinsky that would then be followed by a composition by Varese or Satie. This type of musical organization is a by-product of the Musical Genome Project.
I “Googled” the MGP and this is what surfaced on Wikipedia:
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Today's guest blog was co-written by Jean Cook, Deputy Director and Casey Rae-Hunter Communications Director; both of of The Future of Music Coalition
When you think of classical music listeners, you might not picture web-savvy youth firing off blog posts about the great recital they just attended, or flitting through social networks to interact with their favorite contemporary ensemble. But according to Sidney Chen, Artistic Administrator of the avant-classical ensemble Kronos Quartet, all that and more is currently happening online, thanks to a cool little concept called net neutrality.
Net neutrality is the principle that protects the open Internet. It allows musicians to distribute their work in any way they want, without interference from gatekeepers and middlemen. It also provides fans with a plethora of legal ways to get their musical fix, often directly from the artist. But big telecommunications and cable companies want to change the fundamental structure of the internet by charging those who put content on the web — artists, filmmakers etc. — a fee for the faster delivery of their sights and sounds. If they couldn’t afford to (or didn’t want to) pay this toll, they’d be forced into in the information superhighway’s slow lane.This would be devastating to artists like Kronos Quartet, who depend on the Internet to reach potential audiences. “Our projects don’t normally fit neatly into genres,” Chen says. “The Internet allows us to reach those people who aren’t reliant solely on mainstream media and other information gatekeepers.”
Exploration celebration
According to Chen, Kronos fans come from a wide variety of backgrounds, ages, and locations. “The consistent thread that ties together all of our fans is that they’re adventurous listeners,” he relates. “The Internet has allowed us to find people who are just out there exploring and looking for new and interesting sounds. It’s allowed us to have a direct, two-way connection with our existing fans and also uncover new audiences.”
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Submitted by Jim Hirsch on Fri, 07/18/2008 - 12:10pm.
This morning my Google alert for Chicago classical music included a link to a blog with the title, Baroque jams: you’re new iPod playlist. This caught my eye for a number of reasons. First, my wife and son spent seven hours in line
last week waiting to buy the new Apple iPhone that incorporates all of the iPod functions with too many other things to list. I confess that I am interested in just about all things Apple-related.
But when posts combine my interest in technology and classical music, I tend to really pay attention.
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The summer music festival season is many things: a chance to play interesting repetoire with not often enough seen colleagues; a chance to reflect; and to explore different cities and restaurants.
This week I'm in St Louis for the St Louis Early Music Festival and Baroque Academy. This is a terrific festival ably led by William Bauer. During the day 25 musicians of all ages are discovering the joys of Boismortier, Merula and Ortiz. The faculty, clearly inspired by their students are performing and recording music from the English Restoration and French Baroque.
I've had a little time to think away from daily pressures and have been reflecting on the importance of building community around those people and things we value. A special "thank you" to ChicagoClassicalMusic.org for helping do just that.
Exploring St Louis has been a delight, especially after a delicious meal at the Shaved Duck!
This coming weekend I will be teaching at the Midwest Young Artists Early Music workshop which will be held at Carthage College in Kenosha, Wisconsin followed by performing at the Madison Early Music Festival and Green Lake Festival.
I hope our paths will cross and we can share some music, conversation and maybe even a good meal. Happy summer!
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Submitted by Jim Hirsch on Mon, 06/23/2008 - 10:35am.
I was in Denver last week for the League of American Orchestras annual conference. The League meetings are always a treat and this one had some great highlights including a killer keynote address by Jim Collins, the author of Good to Great, 
a moving presentation by El Sistema creator, José Antonio Abreu, and an emotional farewell to the League’s retiring CEO, Henry Fogel.
The Collins presentation was particularly useful as he has created a not-for-profit version of his best-selling business book that is widely available. I highly recommend this for anyone involved with a not-for-profit.
One short comment on Maestro Abreu. It is clear to me why he has been able to develop what might be the most successful orchestra education program to be found anywhere in the world. I simply can’t imagine anyone ever saying no to him. In case some of you haven’t seen this, this is a YouTube clip of the Simon Bolivar Orchestra (the best players from El Sistema) under the baton on Dudamel.
Finally, Henry Fogel presided over his final LOA conference. Henry has done an amazing job as CEO of the League and all of us in the orchestral world owe him big time. Thanks Henry!!
I’m off for a few weeks but will be looking for items of interest for this blog on all of the golf courses I plan on visiting.
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Submitted by Jim Hirsch on Mon, 06/16/2008 - 11:00am.
Today’s blog is written by a special guest.
Don't ask me any questions. At least not yet! Don't ask who I am, what I do, who I'm promoting or what I have to show you. I just want to wow you! Follow these three steps – now!
1) Go to http://www.wmya.fm
2) Click on any podcast or video link
3) Close your eyes and listen
Ok, it's alright. You can open your eyes now. What did you think?
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Submitted by Jim Hirsch on Tue, 03/18/2008 - 4:10pm.
I was driving to work one morning a few weeks ago and NPR ran a story about violinist Tasmin Little. The story was about a 
series of recordings she has made that feature solo, or naked violin, if you will, that she is offering as free downloads on her website. Check out the NPR broadcast and then hit Tasmin’s site for some wonderful music – at no charge!
Speaking of wonderful music made by talented women, the Sinfonietta’s March 30-31 concerts are dedicated to music made, conducted, and composed by women. Chicagoclassicalmusic.org has a “hot deal” listed for this concert that you can access if you are a registered user of this site.
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Submitted by Guest on Mon, 02/25/2008 - 12:25am.
I'm popping in to share and interesting article about season planning with you.
How to Build A Season outlines what goes into season planning. There's more to it than you might think.
Here
at the Rembrandt Chamber Players, we nailed down most of our 2008-2009
season at the end of January at a lunch meeting with the musicians.
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Submitted by Jim Hirsch on Mon, 02/18/2008 - 2:41pm.
As most of you know, we made some changes to this website in December. We now offer registered users free music downloads thanks to our member organizations, NAXOS, and Music Giants, access to some special offers from member organizations under the “Hot Deals” section, and a few other enhancements. We would love to hear how feel about these changes. At some point I’m sure we will ask you to provide more detailed information via a survey, but as a quick check-in, I’m hoping that some of you will share some anecdotal feedback right now.
Please hit the reply link and let us know if you like the free downloads, the “Hot Deals”, the periodic emails, and be sure to mention anything you think is missing. Thanks for the feedback!!
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Some months ago, in a moment that at a certain point I thought was one of weakness - or maybe madness, I agreed to be Master of Ceremonies and Auctioneer for the benefit that Midwest Young Artists hold annually at this time of year. Well the moment arrived yesterday and the morning after I am now reporting that the whole thing was not a mistake at all - I really enjoyed myself and got through my debut in this role with people threatening to ask me to do it again. For me that is quite something! I now know first hand what it feels like for it even to be suggested that I might be asked back. Maybe in my dotage I will do this more often - it was fun. And I do it for free.Typically professional auctioneers are employed for this kind if thing. They cost real money - believe me! I have seen a number of them in action and they are really good. No doubt I was a pallid imitation - but I managed to talk the talk and the hands went up. No problem!
MYA is a remarkable institution led and inspired by a unique character Allan Dennis. He has a dedicated board and a small staff - but above all a remarkable collection of young people who populate the various ensembles, chamber groups, orchestras bands etc that provide a multiplicity of thrilling activities for young musicians of all ages and levels. The best are very good indeed as was displayed last night by a variety of chamber groups playing String Quartets in the entrace lobby as we arrived, and the Schubert Trout Quintet in the silent auction room. We then had wind and brass ensembles during the rest of the evening between speeches and delicious food and my "performance" And the grand finale was the Big Band playing through to midnight. A great evening and a successful fund raiser most certainly.
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