Reviews from Tim Sawyier

The Chicago Youth Symphony--An Institution and Treasure

Tue, 5/18/2010 - 12:30pm — Tim Sawyier
May 18, 2010

I cannot in good conscience start this review of the Chicago Youth Symphony Orchestra’s May Orchestra Hall performance without disclosing several facts. My father is on its board, I on its “Young Associates Board”; I’m an alum of the organization, and most of my happiest memories from high school somehow involve the organization, is myriad programs, and its many remarkable students. Having disclosed this potential for bias, I still feel safe calling CYSO’s Sunday concert a resounding success.

Alondra de la Parra Brings Out the Best in Sinfonietta

Tue, 3/30/2010 - 1:08pm — Tim Sawyier
Mar 30, 2010

Sunday afternoon the Chicago Sinfonietta performed at Dominican University. With conductress Alondra de la Parra in charge the orchestra provided a delightful afternoon, the kind one might not expect to expect from an ensemble in the throes of a search for a new music director. de la Parra is a formidable candidate for the position, and the Sinfonietta would be lucky to score such a coup as engaging her to replace founding director Paul Freeman.

Rembrandt Chamber Players Shine in "Mahler Project" Finale

Fri, 3/26/2010 - 3:18pm — Tim Sawyier
Mar 26, 2010

The Rembrandt Chamber Players delivered the closing installment of their “Mahler Project” at the Merit School of Music’s Gottlieb Hall Tuesday night. Under the baton of Music of the Baroque conductress Jane Glover, the group capped its three-year-long initiative, during which they have performed chamber versions of Mahler masterpieces, with a performance of Arnold Schoenberg’s transcription of “Das Lied von der Erde.”

Pyotr and the Dvorak, Courtesy of the Chicago Philharmonic

Mon, 3/15/2010 - 11:04pm — Tim Sawyier
Mar 16, 2010

I was apprehensive about reviewing the Chicago Philharmonic’s Sunday concert at Northwestern’s Pick-Staiger Auditorium due to a multitude of conflicting interests. My mother is on the orchestra’s board; I had given a talk about the performance; I’ve written grants for the group; my parents are donors; orchestra members are personal friends and former teachers of mine; I even played with the group once. I was concerned that if the concert were sub-par, I would have to figure out a way discreetly to suggest as much. Fortunately, that unenviable task was not to be mine, as the concert was thrilling. All that said, given these conflicting interests, you are cordially invited, as always, to ignore every last comment I might have about the performance.

The Music of Hong Kong Arrives in Chicago

Sat, 2/27/2010 - 4:41pm — Tim Sawyier
Feb 27, 2010

On Thursday night the Windpipe Chinese Ensemble gave its North American debut at Northwestern’s Thorne Auditorium. The one night only concert was the product of a collaboration between the Hong Kong Economic and Trade Office of New York (HKETO), and Chicago’s own Fulcrum New Music Project, in celebration of the Chinese New Year.


As people were filing into Thorne before the performance began, footage of the Windpipe Ensemble doing presentations at two Chicago public schools was projected on the back wall of the stage. (The obviously tireless group did these despite having a total of 36 hours in Chicago.) The students looked engaged and impressed, though perhaps a little mystified, which mirrored my own reaction to the beginning of the concert.

 

A Lovely Evening with the Chicago Chamber Musicians

Tue, 2/16/2010 - 3:11pm — Tim Sawyier
Feb 16, 2010

 

So I’m a sucker for great wind playing; I guess almost a band geek. But the first half of last night’s Chicago Chamber Musicians’ concert at Gottlieb Hall was proof (not that any was needed) that a bunch of wind players have as much a place on a beautiful concert stage as on a football field. The program opened with Franz Krommer’s B-Flat Partita. A renowned oboist once said of this work specifically, “It’s the kind of music that, you know, needs a little help.” Well, the CCM players gave it that and a lot more. I was “blown” over by the nuances and emphatic attention to detail the group displayed. Pitch perfect, wide dynamic range, all that good stuff. Charles Geyer’s trumpet playing added flair to the ensemble (as did, I suppose, Krommer’s instrumentation), and Dennis Michel showed off his superb technique and tone in some virtuosic passages in the closing rondo.

Ill Philharmonic

Mon, 2/1/2010 - 2:24pm — Tim Sawyier
Feb 1, 2010

The music of Richard Wagner comes with plenty of problems and ifs. Depending on whom you talk to, you might hear it’s too long or boring, or weird, or genocide-inducing. One stigma less frequently associated with it is that it’s exceptionally difficult to play, and it was of that stigma I was most reminded at Saturday night’s Illinois Philharmonic Concert.

Superlative Singing in the West Loop

Mon, 2/1/2010 - 2:51am — Tim Sawyier
Feb 1, 2010

Singing in the West Loop? Nope, not Lyric this time! This afternoon the St. Charles Singers put on a splendid concert at Old St. Pat’s. I’m not much of a crier or much of a churchgoer, but this concert made me one of each. The moving program was a sampling of works from Mozart’s early years.

 

The Lapidary Berlin Philharmonic Wind Quintet

Sat, 1/30/2010 - 4:32pm — Tim Sawyier
Jan 30, 2010

On an episode of the BBC’s hit show “QI,” host Stephen Fry remarks, “There’s something so camp about modern German.” Well, there’s also something so camp about woodwind quintet music, so it’s no surprise five modern Germans put on a superlative woodwind quintet concert last night. (I mean, seriously, how can a group called the Philharmonisches Bläserquintett Berlin NOT be at home with coquettish music?)

Jennifer Koh Shines in Recent Solo Violin Works (But Why?)

Tue, 1/5/2010 - 6:34pm — Tim Sawyier
Jan 5, 2010

“I wonder what you have to do to live until 101?” a friend of mine recently wondered of Elliot Carter (via Facebook). “Eh, apparently not a lot,” I replied; I guess “commented.” Hearing Carter’s “Four Lauds” on the Cedille Records release “Rhapsodic Musings” confirmed my suspicion. The CD is subtitled "21st Century Works for Solo Violin"--I don’t get this music; I’m not sure that I care I don’t. However, Carter is world-famous, and I’m ranting on a blog.