Classical Music Events Calendar

« July 2008 »
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12:15pm - 1:00pm

Chicago Chamber Musicians - Chicago’s premier chamber music organization presents its First Mondays series, broadcast live on WFMT 98.7.

 

 

ADMISSION FREE

 

Preston Bradley Hall

Chicago Cultural Center

78 E. Washington

Chicago, IL 60602

 

 

 

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12:15pm - 1:00pm

Daedalus Duo - "Music of Southern Spain......Folk songs, Dances, and Recent Compositions" Bonnie Campbell and Diana Schmück (described in the Chicago Sun-Times as "one of the finest chamber pianists on the scene”) explore music from Spain for clarinet and piano.

 

 

ADMISSION FREE

 

 

Preston Bradley Hall

Chicago Cultural Center

78 E. Washington St.

Chicago, IL 60602 

6:30pm - 8:00pm

Susanna Phillips, soprano - Celebrate Bastille Day with the sparkling voice of soprano Susanna Phillips and pianist Craig Terry in a program of French classics by Faure, Messiaen, and Debussy, and an homage to Edith Piaf. This alumna of Lyric Opera’s Ryan Opera Center has attracted special recognition for a voice of striking beauty and sophistication and was the winner of four of the world's leading vocal competitions in a single year - Operalia (both First Place and the Audience Prize), the Metropolitan Opera National Council Auditions, the MacAllister Awards and the George London Foundation. She has performed on the country’s leading operatic and concert stages including the Lyric Opera of Chicago, Santa Fe, Minnesota, Utah, Dallas and Kentucky operas, Carnegie Hall and Lincoln Center, and will sing the role of Musetta in the Metropolitan Opera’s production of La Boheme this winter.

 

 

ADMISSION FREE

 

 

Preston Bradley Hall

Chicago Cultural Center

78 E. Washington St.

Chicago, IL 60602 

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12:15pm - 1:00pm

Millennium Chamber Players - Prefacing their upcoming Canadian Tour, the young, critically-acclaimed Chicago ensemble presents a program including contemporary works by Kuster, Raz, Sharman and Berezowksy.

 

 

ADMISSION FREE

 

 

Preston Bradley Hall

Chicago Cultural Center

78 E. Washington St.

Chicago, IL 60601

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12:15pm - 1:00pm

Amy Conn - Award Winners in Concert: Amy Conn, soprano with pianist Shannon McGinnis, performing music by Schubert, Mozart, Poulenc and Jake Heggie. Sponsored by the Musicians Club of Women of Chicago.

 

 

ADMISSION FREE

 

 

Preston Bradley Hall

Chicago Cultural Center

78 E. Washington St.

Chicago, IL 60602

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Rocky Mountain High

Submitted by Jim Hirsch on Mon, 06/23/2008 - 10:35am.

I was in Denver last week for the League of American Orchestras annual conference.  The League meetings are always a treat and this one had some great highlights including a killer keynote address by Jim Collins, the author of Good to Great, a moving presentation by El Sistema creator, José Antonio Abreu, and an emotional farewell to the League’s retiring CEO, Henry Fogel.

The Collins presentation was particularly useful as he has created a not-for-profit version of his best-selling business book that is widely available.  I highly recommend this for anyone involved with a not-for-profit.

One short comment on Maestro Abreu.  It is clear to me why he has been able to develop what might be the most successful orchestra education program to be found anywhere in the world.  I simply can’t imagine anyone ever saying no to him.  In case some of you haven’t seen this, this is a YouTube clip of the Simon Bolivar Orchestra (the best players from El Sistema) under the baton on Dudamel.

Finally, Henry Fogel presided over his final LOA conference.  Henry has done an amazing job as CEO of the League and all of us in the orchestral world owe him big time.  Thanks Henry!!

I’m off for a few weeks but will be looking for items of interest for this blog on all of the golf courses I plan on visiting.

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A Piece is Born (finally)

Submitted by Jonathan Miller on Fri, 06/20/2008 - 1:15am.

I've been mulling over, for months now, writing a piece of music to this fantastic sonnet I came across last fall.

It's finally taking shape.  I mostly composed it this evening after I got home from work.  I am much relieved that it's finally here. 

The composing process isn't particularly magic or mysterious, or at least it doesn't seem that way to me now.  It used to -- that was before I started composing! 

 (Slight digression:  I first wrote "composting" just now, which is funny because composing is almost like composting... when I write choral music, I have to chew and chew and work my way around a text, almost like digesting it the way worms do newspaper -- and only after the words have lived inside me for a while does the musical part take shape.   My wife and I gave my mom one of those worm-composting bins for Christmas last year, and it does work.)

The poem in question is by Mark Jarman, a fabulous poet who lives and works in Nashville at Vanderbilt.  About ten years ago he published a poetry collection called "Questions for Ecclesiastes," and in that book is a collection of 20 "Unholy Sonnets."  The one that really struck me has the first line as follows:  "Half asleep in prayer I said the right thing" -- and because of copyright law you'll have to buy the poetry book to see the whole piece, until you come to the Chicago a cappella "Abundance" concert in February 2009 and hear it, by which time the poem will be in the program notes!

What I love about the poem is the way it evokes the almost accidental nature of grace.  I say "almost accidental" because I do believe that you can cultivate your soul to a place where grace is more possible -- or at least more palpable -- than when your soul is anxious or angry or out of whack, in which case grace is difficult to come by.   So at some point there is not so much of an accident involved, but those special moments do come as a very pleasant surprise, which is what this poem seems to be attempting to describe.

The music itself is mostly chordal, declamatory, getting all the words out at the same time.  However, I did put in some imitative passages when that seemed called for.  This piece has more key changes than most of my works;  this time I composed at the piano, which I don't usually do.  I decided it was worth a try, since the one other time I composed at the piano I got the piece published!

Once the rhythm of the words starts to take hold, the rest follows.  I don't think I'm the world's greatest tunesmith -- my pieces are known for their "whole package" nature, and I do think I write lines that fit the voice well -- but you won't hear people humming my songs very often.  That's okay with me.

I don't have formal degrees in composing, but that's not stopping me, fortunately.  Watch this space for more when the piece is done.

Have a good week.

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Check this out!

Submitted by Jim Hirsch on Mon, 06/16/2008 - 11:00am.

Today’s blog is written by a special guest.

Don't ask me any questions.  At least not yet!  Don't ask who I am, what I do, who I'm promoting or what I have to show you.  I just want to wow you!  Follow these three steps – now!

1) Go to http://www.wmya.fm
2) Click on any podcast or video link
3) Close your eyes and listen

Ok, it's alright. You can open your eyes now. What did you think?

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